Aboriginal Art, Election, Botany Bay, Save Tony the Tiger etc
September 12, 2010
ABORIGINAL ART: Last blog I referred to Aboriginal art and how the international art world has been so interested. Recently Mr. Donegan, as he likes to be referred to, won the annual Telstra Award, now showing in Darwin, N.T. The winning painting is dazzling – I love the colour, composition and energy – not bad for a virtually unknown 70 year old. Aboriginal art constantly surprises, and I feel so privileged to have had an association with many of the artists over the years, and made many friends. Many Aboriginal paintings from the desert are actual maps of the artist’s country, and tell ancestral and creation stories – in this case, “the painting is about dingo dreaming (Papa Tjukurpa), a rockhole and a father and a son”. View 27th NATSIAA online gallery.
POLITICS: I am sorry to be parochial talking about our Australian election, but I think there are probably international parallels. After an abysmal and depressing election campaign, aimed at bribing and not frightening swinging voters in marginal seats many of whom are uninterested in politics, and are economic illiterates (like me), our “hung” parliament has finally been resolved, with the government only just returned. This is with the support of a few Independents who may be crucified by their rather conservative electorates. It is extraordinary that perhaps the only government in the Western world that did not go into recession with the GFC, could not sell this achievement – perhaps we survived it so well, the public did not really understand the dangers that we avoided. Interestingly, with the negotiations and trading required to form a minority government, many issues not raised in the election got aired (and may be debated when parliament resumes)– including neglect of rural areas, indigenous employment, the status of same-sex relationships, tax reform, reform of parliament, Afghanistan etc. The election result was really more about people NOT voting for either side – many people are so sick of their spin, fear mongering, lack of leadership and vision, the influence of focus groups and polls, the intervention of the media, and the adversarial nature of a two-party system. The Greens benefited from the dissatisfaction, and will next year hold the balance of power in the Senate, and the Government has had to form an agreement with them. The Government was too frightened to have bold policies on climate change (and the Opposition are virtually in denial), and we may now, ironically, see a much more positive attitude to actually formulating a much overdue strategy. It is fascinating how the issue of climate change has undone several of our leaders. Unfortunately, there are now quite a few new divas and loose cannons that are in a position to make stable government extremely difficult. Luckily our PM, Julia Gillard, is a very good negotiator, but it could all easily end in tears!
CONFESSION: Yes I collect colonial prints, and especially love Joseph Lycett. I recently went to Canberra and have always looked forward to driving along side Lake George, which has always mysteriously filled and emptied. I confess Iwas horrified to see wind farm turbines on the horizon, and was equally surprised by my reaction, as I am of course an ardent supporter of alternative energies. The “visual pollution” of this particularly scenic view made me think of the compromises ahead, and at what price sustainability? I was going to Canberra for the opening of the most magnificent exhibition LIFE, DEATH & MAGIC , 2000 Years of Southeast Asian Ancestral Art. Drawn from major collections around the world by the National Gallery of Australia , these items will probably never be assembled together again.
BOTANY BAY: In 2008 I curated an exhibition Lines in the Sand, Botany Bay Stories from 1770 and 1788, which examined our foundational narratives and the first European/Aboriginal encounters from Captain Cook’s visit, and the First Fleet. The exhibition contained both colonial material and contemporary art works, and I emphasised the overlooked Aboriginal perspective on these events. Recently I co-curated Shifting Sands, Botany Bay Today, also at the Hazelhurst Regional Gallery in south Sydney and currently on show, and a group of very interesting and diverse artists were asked to respond to the social, cultural and environmental history and development of Botany Bay. It reminded me of the important role of artists – as interpreters and visionaries. For more information about the exhibition and the viewing the online catalogue ( and my Introduction) visit Shifting Sands, Botany Bay Today.
SAVE TONY THE TIGER: I was emailed by John Martin who has drawn my attention to the campaign to release Tony the Tiger in Louisiana, who has been kept in a cage at the Tiger Truck Stop as a gimmick for all his life (9 years). Despite repeated violations of the Animal Welfare Act and the inherent cruelty, there has been no action by the authorities, and I think we should all sign the petition – and spread the word – to ensure the permit to allow Tony to remain imprisoned is not renewed again by the Louisiana Department of Wildlife and Fisheries. I think we should also directly contact the Department, but of course you will make up your own mind, see: Petition.
Other Relevant Sites:
BRISBANE WRITERS FESTIVAL: Last week I attended this Festival, now in its 51st year. Apart from sessions on my own, I was part of a Call of the Wild panel with 3 very intrepid Australian women writers who had had adventures in Africa and life changing experiences with animals. Annette Henderson (Wild spirit published by William Heinemann), Sally Henderson (Ivory Moon published by Pan Macmillan) and Tammie Matson (Elephant Dance published by Pan Macmillan) are all committed conservationists and Dr. Matson, for example, has been studying elephant/human conflict in Africa and Assam. With their shrinking and contested habitats, wild elephants are causing problems for villagers. She is staging a fundraising exhibition in Sydney in early October of beautiful elephant drawings – see http://animalworks.com.au/drawings-slideshow , and for exhibition details contact firstname.lastname@example.org . I haven’t been to Africa for nearly 40 years and their books and presentations made me even more enthusiastic to go back. I very much enjoyed attending the festival , and I was asked some very interesting questions, particularly from enthusiastic children. For example, “would you have done anything differently with Christian?” An unkind friend later commented “you could have worn different clothes”!